Filled with expectations, Etienne moves to Paris from Lyon to study film directing at the Sorbonne. He leaves behind his girlfriend Lucie, promising to call her regularly via Skype. On his course he meets Jean-Noël and Mathias, they too have come to the metropolis from smaller cities and share his passion for cinema. Together they discuss the cinematic canon, read texts by Flaubert and Pasolini, and listen to Bach and Mahler. Jean-Noël proves to be an agreeable friend who tries to strengthen Etienne’s fragile self-confidence; Mathias, on the other hand, often comes across as stern, aloof and mysterious. Fond of arguing, he has a habit of disappearing for weeks on end without the others knowing where he is. Nobody gets to see his student film, either. Etienne is particularly crestfallen when he discovers by chance that Mathias shares a secret with Annabelle, an idealistic young woman who lives in Etienne’s shared flat and with whom he is secretly in love. Jean Paul Civeyrac’s tenderly melancholic black-and-white study of these young people’s encounter with art and life is at the same time a declaration of love for classic cinema and the city of Paris.

Filled with expectations, Etienne moves to Paris from Lyon to study film directing at the Sorbonne. He leaves behind his girlfriend Lucie, promising to call her regularly via Skype. On his course he meets Jean-Noël and Mathias, they too have come to the metropolis from smaller cities and share his passion for cinema. Together they discuss the cinematic canon, read texts by Flaubert and Pasolini, and listen to Bach and Mahler. Jean-Noël proves to be an agreeable friend who tries to strengthen Etienne’s fragile self-confidence; Mathias, on the other hand, often comes across as stern, aloof and mysterious. Fond of arguing, he has a habit of disappearing for weeks on end without the others knowing where he is. Nobody gets to see his student film, either. Etienne is particularly crestfallen when he discovers by chance that Mathias shares a secret with Annabelle, an idealistic young woman who lives in Etienne’s shared flat and with whom he is secretly in love. Jean Paul Civeyrac’s tenderly melancholic black-and-white study of these young people’s encounter with art and life is at the same time a declaration of love for classic cinema and the city of Paris.

艾薇和豆豆报了芭蕾舞课，却发现她们要在数百人面前演出。要赶快逃跑才行！

Set in a fictional world, the story is about the psychological conflict between a king in a town and an extraordinary man, and how that man, through his cunning and master minded plans takes over everything, takes control of the entire town, becomes a dictator.

本专辑为数字媒体技术专业2021年《移动应用开发》课程优秀作品，任课教师为柳杨。

一个叫托马斯（ 迪伦·奥布莱恩 饰）的男孩在电梯中醒来，他发现自己失忆了，除了名字什么都记不得。当电梯打开，他来到了一个陌生的地方“林间空地”（ The Glade）。这里四周被高大的石头墙包围着，墙外有一群巨大的怪兽威胁着墙内人们的生命。墙内住着50位男孩，他们都被困在了绵延不绝的迷宫森林当中。一天，电梯为他们送来了一个女孩特雷莎（ 卡雅·斯考达里奥 饰），她是来到“林间空地”的第一个女孩。此后，迷宫逐渐开始发生变化，一切都陷入了混乱中，托马斯和特雷莎决定一起走上破解迷宫之路，找出迷宫背后令人不寒而栗的秘密。

一个叫托马斯（ 迪伦·奥布莱恩 饰）的男孩在电梯中醒来，他发现自己失忆了，除了名字什么都记不得。当电梯打开，他来到了一个陌生的地方“林间空地”（ The Glade）。这里四周被高大的石头墙包围着，墙外有一群巨大的怪兽威胁着墙内人们的生命。墙内住着50位男孩，他们都被困在了绵延不绝的迷宫森林当中。一天，电梯为他们送来了一个女孩特雷莎（ 卡雅·斯考达里奥 饰），她是来到“林间空地”的第一个女孩。此后，迷宫逐渐开始发生变化，一切都陷入了混乱中，托马斯和特雷莎决定一起走上破解迷宫之路，找出迷宫背后令人不寒而栗的秘密。

北京的胡同，這裡似乎是一個中心，但是計程車司機的收入卻不及這個城市該有的收入水準。 　　成都，生活出了名的閒適和散淡，而這裡的計程車卻逃不過辛勞，也因此，單單一個會吹薩克斯風的司機便讓我們感受到可能只有這裡才能提供的情調。 　　臺北，計程車也有藍綠之爭，而六十多歲的原住民司機還想著賺錢給子女，為了讓他們能經常來探望自己，也就能多見到孫子孫女。 　　香港，很多計程車司機同時是義交，在管與被管之間，他們能得到什麼樣的滿足？ 　　“To learn about a city, you should learn about its taxi drivers first.” is a very common but quite representative vocation. Since the taxi drivers contact with largest number of people, they are the ones most familiar with urban life. This film describes money and life in the eyes of taxi drivers in five representative metropolises in the Greater China Region. 　　获奖情况： 　　2008年 入圍第1屆溫哥華亞洲電影節